![]() ![]() QSD-1 doesn't seem to have enough separation between the front channels and seem to spread the center vocalist between them.Ģ. Well, aquadad has got me thinking, finally! I guess I'm not as smart as I tell people I am (grin).ġ. This may not be everyone's cup of tea, but I love it! When you sit in the swivel rocker recliner sweet spot you are immersed in a 3-D dome of sound that is loaded with phantoms and none of the sound seems to come from the speakers. Four of the speakers are 3-way and the other six are 2-way. I then push all this sound through ten individual speakers. When listening to 4 or 5.1 I run the fronts and rears through their own respective NUREALITIES for synthed 5.0 across the front and rear for virtual 11.1 after the center and sub get added into the equation. When a stereo signal is pre-processed through the Nureality and then fed to the SANSUI, the variomatrix feasts on it and you get all the rear channel info you could ever imagine. QSD-1, if you do a search for NUREALITY you will find what you are looking for.Īlso, Gerardo (QUADGDIAZ) was over a couple months ago and he must of liked what he heard because a couple of days after his visit he purchased a couple of the NUREALITIES for himself. Thanks for the recognition Justin, but before me there was master chief OBBOP who pointed me into the NUREALITY direction. That's the effect that I want without destroying the front stereo image. I have quite a few discs that seem to have strong out-of-phase material, my QSD-1 regularly routes the backup singers to the rear.I think that's cool! Strong Rear output when the source is out-of-phase, I don't really care if the rear speakers carry virtually the same signal, just as long as the LF and RF have good stereo.īut.I am looking for more rear output than the typical "Hall" setting that typically seems to reproduce a little echo in the rear speakers and that's it. Left Front and Right Front that have distinctly different stereo sources. My goal would be to start with a stereo signal and end up with the following:Ĭenter vocalist anchored in the center and not 12 feet wide. I don't expect every recording to give me the optimum, but my experience has been mostly 3 channel stereo, with both front speakers reproducing the same program with a rather wide, weak center vocalist and good stereo separation behind my head. In another post I wrote what I would like to hear when using a stereo source. Solar, tell me more about your experiences with CSII, please! Does it support a separate center speaker for stereo input? ![]()
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